Another thing to note is that the bigger the statue, the more prominent it would be. If, for some reason, you do not want your statue to overshadow the surrounding decor, go for a smaller size that blends in, instead of one that stands out.
Always try to find a seller who has posted high-quality pictures of the statues for two main reasons. First, a high-quality picture allows you to inspect the statue a lot better, helping you determine the quality. Second, it shows that the seller is confident of his statue.
The beautiful natural hue of bronze grows more attractive and complex as its exposed to changes in light, heat, and moisture, which means you can expect your bronze statues and garden statues to age gracefully.
Our close, direct relationships with bronze foundries allow us to connect our clients with artisans best suited for their project, ensuring top-quality results in bronze statue purchases and special commissions. With more than 20 years of experience, you can rest assured that we will go above and beyond to meet your expectations.
Purchasing art is a matter of trust, both in person and online. The internet can offer a remarkable selection of artworks from every medium and style of art, but it is important to purchase bronze artworks from a reliable retailer. Such retailers of bronze sculptures and figurines will have such a wide-range of styles and periods in their stock as well as all relevant information. This includes detailed descriptions and photographs as well as the dimensions and weight, the manufacturing method, and artistic process. When possible, short videos of the artist or the manufacturing process are included.
Bronze is used for sculptures because it expands just before it hardens, resulting in the accentuation of fine details. The bronze then shrinks slightly as it cools down, which makes it easy to remove the cast.
You can tell if a sculpture is bronze by testing if a magnet sticks to it, as iron is magnetic. Bronze also does not have the ability to rust, so a bronze sculpture will not have signs of corrosion on its surface.
A well-known artist once said, \"a sculpture or statue is something you bump into when you move backwards to get a good look at a painting.\" Despite this belief in the superiority of painting over sculpture, the three-dimensional artworks have generally stood the test of time better than painting, both literally and figuratively. In this article we will tell you more about what sculpture is exactly and which terms and techniques are usually distinguished in sculpture. We will also discuss the development of sculpture in more detail and what you should especially pay attention to when buying a statue or sculpture.
The big difference with painting and sculpture is that a statue or sculpture actually shares the space with the viewer. Statues and sculptures are tangible, you could actually touch it and feel its different textures and shapes. Finally, looking at sculpture is a dynamic activity: the work changes as the viewer moves through space and time. In sculpture, works of art are spatially designed: such as portraits, busts, statues, sculpture groups, torsos, abstract or abstracted forms.
This is in contrast to a cast or a cast statue, where the artist starts with a casting or a mold and adds hot liquid material like melted metal, bronze or plastic into a mold. A casting mold itself is often made of clay plaster or wax, materials that are relatively easy to work with. When the added liquid has cooled down, the mold is removed and a solid mass remains; a cast statue.
Traditions of cutting and casting have emerged from the ancient civilizations of the Mediterranean. The cultures of Egypt and Mesopotamia often created statues and sculptures on a monumental scale. These often 'massive' sculptures related to religious life or were intended to be a lasting reminder of the power of the rulers.
While some examples of classical bronze sculptures were known in the 18th century, the vast majority of ancient works in this medium had been melted down for more practical uses after the fall of Rome. Most of the sculptures that entered the great collections of Europe were of marble; therefore, people living in the 18th century mainly associated marble with the ancient world.
If you want to buy a sculpture, it will probably be a unique piece, but if you buy a cast statue, that will probably not be the case. If you are planning to buy a cast statue, it is good to know how many statues are in circulation or how many statues will be cast. The fewer copies there are, the rarer and often the more valuable the cast statue will be.
A bronze statue is usually cast in several copies. Up to and including an edition of twelve copies one speaks of an 'original work of art', while an edition that is larger is referred to as 'multiples'. The hand or involvement of the artist has nothing to do with this. In fact; of Rodin, for example, even now, 100 years after his death, 'first originals' are still being cast.
But there are certain unwritten laws in the molding of plastics, often based on old French tradition and jurisprudence. When a sculptor makes a work, he does it in the first instance in wood, clay or plaster (plaster). A bronze version is then made of that unique work of art. This is usually done using the 'lost wax technique', which makes it possible to make several casts of that one model.
Nevertheless, only the eight first casts are considered to be original. In addition to those eight, you can have four more, the so-called 'épreuves d'artiste or 'artist's proof. These are the property of the artist and are in principle not intended to be traded commercially, although he may sell them if he wishes. Both the first eight and the four épreuves are considered original. In practice, for bronze statues there is no real difference with the other copies, except for the numbering. In the past and today with the really renowned artists, the molds were destroyed after the 12th casting, so that one knew for sure that the edition was limited.
The 'original pieces' are numbered in Arabic from 1 to 8 and the épreuves d'artiste with Roman numerals (EA I-IV). Some artists see these epreuves d'artiste as the first attempts: to see what his work looks like in bronze. They can also serve to update the patines. But the term has in fact been eroded, usually artists start right away with the 1/8.
In terms of difference between the various copies, no bronze statue will be 100% identical. After all, bronze casting is a traditional, manual process, although an outsider will never see the difference.
Nowadays many (cast) statues are offered for sale at a relatively low prices. These are often sculptures cast in large quantities, also called multiples. Are you looking for a unique, original statue in a limited edition
Then we advise you to do this at a reputable gallery or art dealer. To get an overview of the range of original sculptures and sculptures, you can take a look here at Gallerease, where you will find mor than 1,000 original and curated statues!
A bronze sculpture collection is a wonderful thing. I know because I have been a bronze collector for over 20 years. I am also an artist and have created a few bronze sculptures myself. Today, I own The Large Art Company, a gallery and global art dealership that is devoted almost exclusively to bronze sculptures and statues. I've purchased quality limited edition sculptures, open edition sculptures, imported sculptures, junk sculptures and just about any quality level you can imagine. I've purchased from galleries, dealers, antique shops, auctions and estate sales, online, off-line and on the telephone. I have made tremendous investments and I've been ripped off. So I know first hand that making a bronze sculpture purchase can be difficult and somewhat confusing.
Let me get one bit of housekeeping out of the way and that is the difference between a bronze sculpture and a bronze statue. In my mind, and for the purposes of this article, they are one in the same. An original sculpture created in clay or some other medium is molded and cast in bronze. Hence the term bronze sculpture. However, the sculpture was not really done in bronze, so a more accurate description might really be bronze casting. Because many sculptures are figurative in nature they are often referred to as statues. But, clearly, not all sculptures are figurative, so it would be a misnomer to call all sculptures statues. However, it has become common to use both terms interchangeably, although neither is completely accurate for all bronze art.
We use the so-called lost wax method to produce our beautifull Bronze sculptures and statues. This complex way of producing stands for the highest quality and our bronze sculptures for sale often have the best price!
If you are buying bronze sculptures online then please know that we provide the finest service you will find when buying bronze. Also we have a large assortment of bronze statues and sculptures from which you can choose. Are you looking for a sculpture but cannot find it Please sent me an e-mail and I will search my network.
This bronze monumental statue is one of the very few nearly complete Roman bronze statues of the third century preserved today. It is a reminder that many of the disembodied portrait heads displayed in these galleries were once attached to freestanding sculptures, whose original appearances were undoubtedly quite different. Portraits of the emperor served the highly important function in imperial propaganda of presenting the ruler to the public and of projecting the personality with which he wished to be perceived. Leadership and military strength are evoked in the heroic nudity of the figure and in the pose, which recalls the famous statue of Alexander the Great with the Lance by Lysippos. In contrast to the idealized body, the portrait head represents the emperor with brutish realism. Trebonianus likely would have cradled a parazonium, or short sword, in his left arm, and held a spear in his upraised right hand. The statue has undergone several campaigns of restoration since its discovery in the early nineteenth century and was examined in great detail as part of the conservation treatment in preparation for its display here. Visual examination inside and out, combined with x-radiography, made possible the clear identification of ancient and restored areas, which are indicated in the accompanying illustration. At least three-quarters of the statue is ancient. Despite the discrepancy in scale, the head belongs to the body. Although the mantle draped over his left shoulder is a modern restoration, cast edges beneath it confirm that the statue had a similar embellishment in antiquity. The left foot with its elaborately decorated open-fronted boot appears to be ancient but may not belong. 59ce067264